Twenty-six days. That’s how long you have to wait for the comic book event fans thought they’d never see again: Batman and Deadpool sharing the same page, breaking the fourth wall, and questioning their very existence as fictional constructs.
Batman/Deadpool #1 releases November 19, 2025, and the hype is off the charts. This isn’t just another crossover. This is Grant Morrison and Dan Mora rewriting reality. Five separate stories crammed into 64 pages. Characters from two universes colliding in ways you’ve been dreaming about since the ’90s. And the best part? September’s Deadpool/Batman #1 already sold 500,000 copies—making it Marvel’s best-selling comic of 2025 and outselling Amazing Spider-Man by a factor of seven.
DC’s turn is here. And if pre-orders are any indication, Batman/Deadpool is about to break records.
The Crossover Nobody Thought Would Happen (Until It Did)
Let’s back up. For twenty years, since 2003’s JLA/Avengers, Marvel and DC didn’t play nice. Legal battles, corporate rivalries, and fan speculation filled the void. Then in June 2025, both companies shocked the world: Deadpool/Batman #1 coming September 17, followed by Batman/Deadpool #1 on November 19.
Why now? Simple: money and nostalgia. Superman vs. The Amazing Spider-Man (1976) was the highest-grossing comic of its era. These companies know crossovers print cash. And with comic book films dominating box offices, the timing couldn’t be better.
Marvel went first. Zeb Wells and Greg Capullo delivered Deadpool/Batman #1 on September 17, 2025. The main story featured Wade Wilson hired for a Gotham City job, with Batman either helping or destroying him. Backup stories included:
- Daredevil and Green Arrow by Kevin Smith and Adam Kubert
- Captain America and Wonder Woman by Chip Zdarsky and Terry Dodson
- Jeff the Land Shark and Krypto by Kelly Thompson and Gurihiru
The book exploded. David Gabriel, Marvel’s SVP of Print, Sales & Marketing, told retailers at NYCC that the comic received orders totaling half a million copies. Bleeding Cool’s weekly bestseller list showed Deadpool/Batman selling seven times more than Amazing Spider-Man #12 and Absolute Flash #7 combined.
Now DC fires back with Batman/Deadpool #1. And judging by the creative lineup, Morrison and company aren’t holding back.
Grant Morrison’s “Cosmic Kiss Caper”: Batman Meets Deadpool (And Reality Breaks)
Here’s what DC’s official description promises:
“What happens when the World’s Greatest Detective meets the Merc with a Mouth? Reality folds in on itself. Archetypes collide. Together, they’re forced to confront a threat that doesn’t just endanger their worlds—it questions their very existence as fictional constructs.”
This is pure Grant Morrison metafiction. The writer who gave us Final Crisis, Multiversity, and Animal Man—stories where characters know they’re in comics—is back. Deadpool breaking the fourth wall? Standard. Batman brooding about trauma? Expected. Grant Morrison has them confront the nature of storytelling itself? That’s the secret sauce.
Morrison teased the approach during an October 15, 2025, Reddit AMA (which lasted three days instead of three hours). Key revelations:
On the tone: “I didn’t feel the need to read anything for this. I felt I knew the characters very well. The characterizations emerge through ping-pong back-and-forth banter. The tone is a kind of all-quadrant, Doctor Who Christmas special kinda thing. It’s the sort of comic you could give to a casual reader, with a complete story and two globally recognized superhero superstars.”
On Deadpool as a Deathstroke parody: “Batman has a few things to say about that in Batman/Deadpool…” (Wade Wilson vs. Slade Wilson—expect meta jokes).
On fourth-wall breaks: “For Animal Man, it was a life-changing revelation, for Wade it’s an excuse for jokes!” Morrison will literally appear in the comic, just like they did in Animal Man #26.
On Amalgam characters: “We have a new Amalgam character in Batman/Deadpool AND an old favorite!” (Amalgam = DC/Marvel mash-ups like Dark Claw and Spider-Boy from the ’90s).
On the relationship to Deadpool/Batman: “I was able to add a line to link the two but it’s very much its own thing. Our story is more over the top, and rooted in comic book lore—especially Marvel and DC crossovers—and is very much the sort of thing people would expect from me.”
Dan Mora handles art duties. Mora’s portfolio includes Klaus (his previous collaboration with Morrison), World’s Finest, and Once & Future. His Batman is noir perfection. His Deadpool? Expect exaggerated cartoon energy mixed with gritty realism. Alejandro Sánchez (colors) and Todd Klein (letters) complete the creative team.
Related: Curious about other major MCU developments? Check out our breakdown of the Avengers Doomsday plot leak, which reveals how the multiverse collapses in December 2026.
The Four Backup Stories You Can’t Miss
Batman/Deadpool #1 packs 64 pages for $7.99 (standard cover) or $8.99 (variant covers). Five complete stories. Let’s break down the four backups:
1. Constantine & Doctor Strange: “A Magician Walks Into a Universe”
Creators: Scott Snyder, James Tynion IV, Joshua Williamson, Hayden Sherman, Mike Spicer, Frank Cvetkovic
Three of DC’s biggest writers—Snyder (Batman, Dark Nights: Metal), Tynion (Detective Comics, Something is Killing the Children), Williamson (The Flash, Justice League)—collaborate on a magical team-up between John Constantine and Doctor Strange.
Constantine is DC’s cynical occult detective, a con man who sold his soul multiple times. Doctor Strange is Marvel’s Sorcerer Supreme, master of the mystic arts. Both manipulate reality. Both deal with demons. Both are arrogant jerks who happen to save the world.
Expect: Spells colliding. Dimensional rifts. Snarky British commentary vs. surgical American confidence. Hayden Sherman’s art style (heavy shadows, abstract shapes) fits the horror-mysticism vibe perfectly.
2. Nightwing & Wolverine (Laura Kinney): “Sticks & Snikts”
Creators: Tom Taylor, Bruno Redondo, Adriano Lucas, Wes Abbott
This one’s a fan-favorite pairing for a reason. Tom Taylor and Bruno Redondo are the current Nightwing team—their run is critically acclaimed for emotional depth and jaw-dropping action sequences.
Dick Grayson (Nightwing) is Batman’s first Robin, now Blüdhaven’s protector. He fights with escrima sticks and acrobatics. Laura Kinney (Wolverine, X-23) is Logan’s female clone, armed with adamantium claws and a healing factor. She’s deadlier than her father.
The title “Sticks & Snikts” says everything. Expect: Kinetic action. Martial arts precision vs. feral brutality. Taylor’s signature emotional storytelling (both characters struggle with legacy). Redondo’s layouts are always breathtaking—this will be a visual masterpiece.
Reddit reactions: “Redondo’s art being a clear favorite for me… this preview art here looks great.”
3. Harley Quinn & Hulk: “Harley & Hulk’s Amazin’ Saturday!!!!”
Creators: Mariko Tamaki, Amanda Conner, Tamra Bonvillain, Dave Sharpe
Chaos incarnate. Harley Quinn—Gotham’s psychotic ex-psychiatrist turned anti-hero—meets The Incredible Hulk—Bruce Banner’s rage-fueled alter ego.
Mariko Tamaki (Harley Quinn, She-Hulk) knows both characters intimately. Amanda Conner is a legendary artist whose Harley work defined the character’s modern look. The title alone—”Harley & Hulk’s Amazin’ Saturday!!!!”—screams Saturday morning cartoon energy.
Expect: Slapstick violence. Harley trying to befriend Hulk. Hulk smashing everything. Property damage on a comedic scale. Bright colors, exaggerated expressions, and pure fun. This is the palette cleanser after Morrison’s existential dread.
4. Static & Ms. Marvel: “New Friends in Old Places”
Creators: G. Willow Wilson, Denys Cowan, Klaus Janson, Francesco Segala, Steve Wands
The next-generation hero team-up. Virgil Hawkins (Static) is DC’s electrical-powered teen hero from Dakota City. Kamala Khan (Ms. Marvel) is Marvel’s shape-shifting Pakistani-American Inhuman from Jersey City.
G. Willow Wilson co-created Ms. Marvel—she is Kamala’s voice. Denys Cowan is a comic legend (The Question, Hardware, Milestone Comics). This pairing represents diversity, representation, and the future of superhero comics.
Expect: Youthful energy. Fanboy/fangirl enthusiasm. Two kids from working-class neighborhoods figuring out their powers. Social media jokes. Cowan’s dynamic, gritty art style contrasted with the characters’ optimism. Reddit called it: “Static and Ms. Marvel have the potential to be fantastic. They represent an incredible new generation of heroes!”
Related: Marvel’s rebooting their entire line soon—read our article on why the Ultimate Universe is ending in April 2026.
The $7.99 Price Point Controversy
Let’s address the elephant in the room: Batman/Deadpool #1 costs $7.99 (main cover) or $8.99 (variants). Standard Marvel/DC comics retail for $3.99-$4.99. Why the premium?
64 pages. Five complete stories. All-star creators.
Deadpool/Batman #1 cost $6.99 for similar content. Fans accepted it—500,000 copies sold. DC’s adding an extra dollar for Grant Morrison and Dan Mora’s pedigree. Variant collectors will pay $8.99 for exclusive covers.
Is it worth it? Absolutely. Breaking it down:
- Main Batman/Deadpool story: ~25 pages = $3.19
- Constantine/Doctor Strange: ~10 pages = $1.28
- Nightwing/Wolverine: ~10 pages = $1.28
- Harley Quinn/Hulk: ~10 pages = $1.28
- Static/Ms. Marvel: ~9 pages = $1.15
You’re paying $0.12 per page for premium content from legendary creators. Compare that to a $4.99 standard comic (22 pages = $0.23/page). Batman/Deadpool is actually a better value.
The real investment? Variant covers. DC revealed 20+ variants from artists including Lee Bermejo, Jim Lee, Frank Quitely, Sean Murphy, Bill Sienkiewicz, and more. These will skyrocket in value. September’s Deadpool/Batman variants are already selling for $50-$200 on eBay.
Watch: Deadpool/Batman Comic BLOWS UP on eBay! – Collector Analysis
Grant Morrison’s Reddit AMA: The Best Moments
Grant Morrison’s October 15, 2025, Reddit AMA on r/DCcomics became legendary. Planned for three hours, it lasted three days. Key highlights:
On Batman killing: “If Batman kills he becomes a crazy criminal in a weird costume and Jim Gordon would have to hunt him down and bring him to justice. The glory of Bruce Wayne is that he refuses to be a killer. He has trained in every martial arts discipline in order to not have to kill and that’s what makes him mad and magnificent, and a superhero.”
On AI in comics: Morrison took a strong anti-AI stance after discussions about generative art. The Comics Beat covered this extensively.
On Damian Wayne’s future: Morrison created Damian (Bruce’s son with Talia al Ghul) during their Batman run. They teased his future storylines but stayed cryptic.
On Superman/Spider-Man: “I have no idea who will draw Superman/Spider-Man, but I’m betting Dan Mora will be involved somewhere!” (More on this below.)
The AMA generated 3,226 upvotes and 1,687 comments—massive engagement for a comic creator. It’s clear Morrison’s Batman/Deadpool has serious buzz.
Read the full AMA: Grant Morrison Batman/Deadpool Reddit AMA
Superman/Spider-Man Crossover Coming 2026
Batman and Deadpool aren’t the only heroes crossing universes. DC and Marvel announced Superman/Spider-Man crossovers for 2026, timed to the 50th anniversary of Superman vs. The Amazing Spider-Man (1976).
The schedule:
| Release Date | Title | Publisher |
|---|---|---|
| January 7, 2026 | Treasury Edition: 50th Anniversary of Superman vs. The Amazing Spider-Man #1 | DC Comics |
| February 4, 2026 | DC and Marvel Present: Superman and Spider-Man Treasury Edition #1 | DC Comics |
| March 2026 | Superman/Spider-Man #1 | DC Comics |
| April 2026 | Spider-Man/Superman #1 | Marvel Comics |
Both March and April releases will feature new stories with creative teams announced by year’s end. Speculation is rampant. Dan Mora? Pepe Larraz? Jim Lee? All are rumored.
The 1976 original—written by Gerry Conway with art by Ross Andru—pitted Superman and Spider-Man against Lex Luthor and Doctor Octopus. It sold millions. The 1981 sequel (Marvel Treasury Edition #28) featured Parasite and Doctor Doom.
These Treasury Editions measure 10 1/8″ x 13 5/16″—massive format comics perfect for collectors. And with Superman (July 2025) and Spider-Man: Brand New Day (July 2026) dominating theaters, the timing is perfect.
Related: Tom Holland’s Spider-Man 4 just had major production drama—get the full story about his on-set injury here.
How to Preorder Batman/Deadpool #1 (Before It Sells Out)
Batman/Deadpool #1 releases November 19, 2025. Final Order Cutoff (FOC) already passed on October 21, meaning comic shops locked in their orders. If you haven’t preordered, act fast.
Where to preorder:
- Local comic shops: Visit Comic Shop Locator to find stores near you
- Online retailers: Midtown Comics, MyComicShop, Things From Another World
- Digital: DC Universe Infinite (likely available day-and-date)
Which cover to buy:
- Dan Mora main cover ($7.99): The safest bet—iconic imagery, guaranteed availability
- Wraparound Dan Mora variant ($8.99): Same artist, full-spread composition
- Jim Lee/Scott Williams Batman/Wolverine variant ($8.99): Legendary team, instant collectible
- Frank Quitely variant ($8.99): Quitely’s abstract style, low print run likely
- Bill Sienkiewicz Incredible Hulk #340 homage ($8.99): Perfect for Harley/Hulk story fans
Every variant is cardstock (thicker, premium paper). September’s Deadpool/Batman variants are already flipping for $50-$200. Batman/Deadpool variants will likely follow the same trajectory.
Pro tip: Buy two copies—one to read, one to keep sealed. September’s Deadpool/Batman #1 doubled in value within 48 hours.
The Variant Cover Lineup (Ranked by Investment Potential)
DC revealed 20+ variant covers for Batman/Deadpool #1. Here are the top 10 ranked by collectibility and resale potential:
| Rank | Cover | Artist | Why It’s Valuable |
|---|---|---|---|
| 1 | Batman/Wolverine | Jim Lee & Scott Williams | Lee’s Batman is iconic; Wolverine crossover appeal |
| 2 | Batman/Deadpool | Frank Quitely | Quitely rarely does covers; abstract Morrison collaborator |
| 3 | Hulk #340 Homage | Bill Sienkiewicz | Iconic Todd McFarlane Hulk cover reimagined |
| 4 | Crisis on Infinite Earths #7 Homage | Ryan Sook | Death of Superman pose with Batman/Deadpool |
| 5 | Joker/Doctor Doom | Lee Bermejo | Two greatest villains, Bermejo’s painted realism |
| 6 | Lobo/Deadpool | Sean Murphy | Murphy’s gritty style, two antiheroes |
| 7 | Batman/Deadpool Wraparound | Dan Mora | Full-spread composition, Mora’s signature detail |
| 8 | Nightwing/Wolverine (Laura Kinney) | Bruno Redondo | Directly ties to backup story, Redondo’s acclaimed run |
| 9 | Wonder Woman/Captain America | Jim Cheung & Jay David Ramos | Patriotic heroes, Cheung’s detailed linework |
| 10 | Zatanna/Scarlet Witch | Mark Brooks | Magic users, Brooks’ pin-up style |
Investment advice: Jim Lee, Frank Quitely, and Sean Murphy variants will appreciate fastest. These artists have dedicated collector bases. Bill Sienkiewicz’s Hulk #340 homage is a sleeper hit—that original cover is one of the most valuable comics of the ’80s.
The Sales Numbers: Can Batman/Deadpool Beat Deadpool/Batman?
September’s Deadpool/Batman #1 sold 500,000 copies. That’s extraordinary for modern comics. For context:
- Amazing Spider-Man #11 (September 2025): ~71,000 copies
- Batman #1 (September 2025 relaunch): ~283,000 copies
- Absolute Batman #12 (September 2025): ~142,000 copies
Deadpool/Batman outsold everything by a massive margin. It was Marvel’s #1 comic of 2025 and likely the #1 comic from any publisher in 2025.
Can Batman/Deadpool match it? Yes, and here’s why:
- Batman brand power: Batman outsells Deadpool consistently. DC’s “Bat-family” books dominate sales charts
- Grant Morrison’s reputation: Morrison draws hardcore comic fans who don’t buy mainstream superhero books
- Dan Mora’s art: Mora’s World’s Finest and Once & Future have cult followings
- Variant cover appeal: DC’s 20+ variants vs. Marvel’s 12 variants
- Holiday shopping: November release = perfect gift for collectors
David Gabriel confirmed Marvel printed half a million copies of Deadpool/Batman. If DC matches that print run, Batman/Deadpool could sell out within a week. Secondary market prices will skyrocket.
Prediction: Batman/Deadpool sells 550,000-600,000 copies in November 2025, becoming the best-selling DC comic of the decade.
What Comes After? The Future of Marvel/DC Crossovers
Batman/Deadpool isn’t the end. DC and Marvel confirmed ongoing collaboration. Here’s what’s coming:
2026:
- Superman/Spider-Man #1 (DC, March 2026)
- Spider-Man/Superman #1 (Marvel, April 2026)
- Possible X-Men/Teen Titans crossover (30th anniversary of Amalgam)
- Justice League/Avengers? (Fans are begging for it)
Why now? Comic book films are bigger than ever. Superman (July 2025) and Spider-Man: Brand New Day (July 2026) are box office juggernauts. Crossover comics capitalize on mainstream hype.
Amalgam revival? Grant Morrison teased “a new Amalgam character AND an old favourite” in Batman/Deadpool. Amalgam Comics (1996) mashed up DC and Marvel characters—Dark Claw (Batman + Wolverine), Spider-Boy (Spider-Man + Superboy), Iron Lantern (Iron Man + Green Lantern). Fans want more. The 30th anniversary is 2026. Don’t be shocked if DC and Marvel announce Amalgam 2.0.
Will Superman/Spider-Man sell as well? Probably better. Superman and Spider-Man are the flagship characters. Their 1976 crossover sold millions. The 50th anniversary will drive nostalgia sales. Collectors who missed Deadpool/Batman won’t make the same mistake twice.
Final Thoughts: Why Batman/Deadpool Matters
Comics are supposed to be fun. Somewhere between grim reboots, endless events, and continuity snarls, we forgot that. Batman/Deadpool #1 is pure, unapologetic fun.
Grant Morrison writing Batman and Deadpool questioning their existence? That’s peak comics. Tom Taylor and Bruno Redondo delivering a Nightwing/Wolverine team-up? Dream collaboration. Mariko Tamaki and Amanda Conner smashing Harley Quinn and Hulk together? Saturday morning cartoon perfection. G. Willow Wilson and Denys Cowan celebrating the next generation with Static and Ms. Marvel? The future is bright.
64 pages. Five stories. $7.99. November 19, 2025.
This is history. Twenty-two years since JLA/Avengers. Forty-nine years since Superman vs. The Amazing Spider-Man. Crossovers like this don’t happen often. When they do, they remind us why we fell in love with comics in the first place.
Preorder now. Thank us later.